Do Movies Really Matter?

Movies make magic.  They captivate us.  They transform us.  They take the mundane and modify it before our waking eyes.  In fact, cinema assumes a pedagogical role in the lives of many people.  At its best, film travels through the hidden chambers of our minds and alters what already exists; clearly, movies could not achieve this spectacular feat by merely reflecting the norm. [1]

Motion pictures, at their core, expand possibilities.  In other words, cinema represents a very powerful vision of what our future can hold.  That said, my work with the Cinema Research Institute is aimed at impacting the heart of cinema’s most vital role in our society and that, in my opinion, is to increase our vision of⎯ the possible!

New media technology boom

Today, new technology continues to push the boundaries of human connectivity.  And as media culture rapidly changes with these new technologies (digital, mobile, internet, social media, etc); quite frankly, cinema and television still remain highly active sites for the production and circulation of complex power relations.

In his book, Devil Finds Work,  James Baldwin explores certain underlying assumptions found in American media.  He reminds us of the fundamental necessity for storytelling as a critical component of the human experience.  That is, after all, why humans invented poetry, art, music, literature, film, etc.  Baldwin contends that, “in order for a person to bear his [or her] life, he [or she] needs a valid re-creation of that life.” [2]  Wow. Rather profound, huh?!  (Gotta LOVE James Baldwin.)

James Baldwin, novelist, essayist, playwright, cultural theorist

To that extent, the epistemological function of cinema and television in the process of global socialization and human identity formation cannot be easily overlooked.  Cinema (and media in general) provides us with the stories and images of our humanity that help shape our understanding of being-in-the-world. [3]

The question then begs to be asked⎯ what is the psychic and empirical toll on the lives of those marginalized groups whose images, stories, and experiences have become invisible or grossly distorted in the commercial film and television landscape?

With this in mind, I am immensely honored and excited that throughout the 2014-2015 year I have been chosen to work with the Cinema Research Institute (CRI) to tackle tough questions like this.  My research is aimed at excavating innovative film distribution strategies to address issues of media diversity for underserved communities, including but not limited, to Black, Latino, Asian-American, and Native-American audiences and filmmakers.

I’d like to thank the CRI for bestowing me with this prestigious fellowship.  I deeply appreciate your confidence and tremendous support, particularly, the incomparable Dean Mary Schmidt Campbell, the assiduous John Tintori, the percipient Robert Warren, the enterprising Richard Vague, and the astute Colin Brown.  You have selected me to receive this award for a reason, and I will not disappoint.    I desire to thank my vivacious, beautiful, and intelligent mother, Ms. G.B. Walker.  There are no words to adequately express how much you mean to me.   I am⎯ because you are.  Last, but most certainly not least, I desire to thank my most wise, pioneering, and courageous ancestors upon whose shoulders I stand.  Thank you for blazing a trail that I might follow.  I hope to one day extend your legacies and inspire others the way you have inspired me.   Also, special thanks to the tireless Miranda Sherman.  And congratulations to my fellow Fellows (pun intended) ⎯ stay thirsty, my friends.

To the vibrant multicultural audiences,  the under-recognized, progressive, humanistic filmmakers with diverse voices, and to the broader audiences who have multicultural tastes⎯ I see you!!!  I know you’re out there and together we will make a positive impact and our voices will be heard!!!

I definitely real(eyes) that great ideas can change the world, but it requires great people to make it happen.  That’s why I’ll need your help throughout the year, to engage the film and entertainment community in a long-running dialogue, while designing positive solutions toward media equity, as we work diligently to disrupt the status quo in dominant film distribution.  I thank you in advance for your support.   And I look forward to taking this amazing journey with you all !!!

faced

Notes:

1. Jeanette Winterson. Art Objects: Essays on Ecstasy and Effrontery (Random House, 1997).

2.  James Baldwin. The Devil Finds Work (Random House, 1976).

3. See Martin Heidegger, Being and Time (HarperCollins, 2008), 84.

Grassroots Film Collective- Concluding Idea Series, #2

As we get closer to the end of our fellowship, we are publishing a series of blogs that propose would-be final project ideas related to our research on grassroots film distribution. Although we have decided not to turn these ideas into our final project, we hope the series will spark a conversation about possible grassroots tools that will help independent filmmakers distribute their films.  Part 1 of our series was a site that would serve as a Pandora for movie trailers, offering users the ability to type in their favorite movie and instantly watch trailers that relate to that film.  You can read more about our idea by clicking here. Our second CRI final project idea is a Grassroots Film Distribution Collective.  In our study we have found that many independent filmmakers, especially first time directors, feel overwhelmed when they distribute their films.  One of the many directors who we interviewed that felt this way is Marcia Jarmel who co-directed and self-distributed the documentary, Speaking in Tongues.  Although the film had a successful distribution run, Marcia commented, "I started out thinking I could do everything myself, and made myself pretty nuts for a while. It is much, much easier to have an army of people helping you. I think most filmmakers do not have that.”

This lead to us wondering if a film collective could be formed so that when audiences 'opt-in' to a film project--i.e through a crowdsourcing site like Kickstarter, or if they give their information to a volunteer at a community screening, the information is shared and passed on to a group of filmmakers that later use the data to target their audiences in future campaigns.  The mission of the group would be to build one big audience for a slate of films by sharing distribution information and resources with like minded filmmakers.  This is different than the normal distribution plan to build a big list for one film and then never use it again or wait to use the list for two to three years later when the director makes another film.

Unlike other non-profit consulting, this would be a group of independent filmmakers who pool together resources to distribute their films. The group would focus on developing a volunteer structure similar to the neighborhood team model, in which Jeremy Bird, former Obama National Field Director, discussed in our interview here. In the interview Bird suggested community organizers could help distribute films by connecting with non-profits, recruit volunteers to help set up community screenings and call through consumer data to identify target audiences for certain films.  This is similar to an approach that filmmaker and political activist Sandi DuBowski, who we interviewed in a previous post here, adopted to distribute his film, Trembling Before G-d.  Building a grassroots film distribution collective would take significant time, but overtime, if the films did well the data and grassroots resources pooled together by the collective could become invaluable and possibly compete with the publicity campaigns of major studios.

We look forward to your feedback on our second CRI final project idea in the comment secant below. In Part 3 we will discuss an idea for a website that enables filmmakers to plug in information about their film and find out which campaigns would be most effective to distribute their film.

Watch Ted Hope's opening addre...

Watch Ted Hope's opening address at the launch of the CRI on February 29... http://t.co/5OpCayYY

Watch Ted Hope's opening addre...

Watch Ted Hope's opening address at the launch of the CRI on February 29... http://t.co/5OpCayYY

Cinema Research Institute Kick-Off Information Session to be held Wed 2/29

Roughly two years ago, esteemed producer Ted Hope visited NYU to give a lecture about the future of film and the state of the industry. A very important idea was spawned from that lecture: the creation of an NYU think tank / incubator dedicated to the future of cinema. A safe place within the walls of the university where students from all disciplines could research and experiment with models and ideas that could change the industry. With a lot of hard work and the dedication from Grad Film Chair John Tintori, Ted himself, Dean Campbell, and the Think Tank Committee, a dream became a reality. Last year the newly minted Cinema Research Institute (CRI) picked its first 4 fellows. Claire Harlam, Edward McDonald, Jacob Robinson, and Ryan Heller are the founding fellows of CRI. They are currently working on their research projects. Now its time to start thinking about the next round of fellows.

Ted Hope and the current CRI fellows will be on hand for an information session Wednesday February 22, 2012. When: Wednesday February 29, 2012 @ 5:00 pm Location:  721 Broadway Tisch, room 1027 We will discuss the CRI and the application process.

Cinema Research Institute Kick-Off Information Session to be held Wed 2/29

Roughly two years ago, esteemed producer Ted Hope visited NYU to give a lecture about the future of film and the state of the industry. A very important idea was spawned from that lecture: the creation of an NYU think tank / incubator dedicated to the future of cinema. A safe place within the walls of the university where students from all disciplines could research and experiment with models and ideas that could change the industry. With a lot of hard work and the dedication from Grad Film Chair John Tintori, Ted himself, Dean Campbell, and the Think Tank Committee, a dream became a reality. Last year the newly minted Cinema Research Institute (CRI) picked its first 4 fellows. Claire Harlam, Edward McDonald, Jacob Robinson, and Ryan Heller are the founding fellows of CRI. They are currently working on their research projects. Now its time to start thinking about the next round of fellows.

Ted Hope and the current CRI fellows will be on hand for an information session Wednesday February 22, 2012. When: Wednesday February 29, 2012 @ 5:00 pm Location:  721 Broadway Tisch, room 1027 We will discuss the CRI and the application process.